Young and lively artist lives at the monastery while restoring the interiors and pays attention to the very old monk who is going to pass away soon.

A response to Yoko Ono's Film Script No. 4 “ASK THE AUDIENCE TO STARE AT THE SCREEN UNTIL IT BECOMES BLACK.” I decided to assemble material shot in Cambodia in 2013 during the Cambodia King-Father Norodom Sihanouk’s funeral- a week long period of national mourning in which millions of Cambodians swarmed to Phnom Penh to grieve for the loss of their beloved leader. The profoundly overwhelming nature of this mass grieving seemed to resonate with the notion of an audience literally collectively willing an image out of existence. I chose to read the action of the screen turning black as being due to the audiences collective will rather than something imposed on an audience by the filmmaker/artist.

Willy Loman, an aging, failing salesman, struggles to accept reality and his failure to achieve the American Dream.

A newly put-together police force tries to solve the old mystery of the murder of Swedish Prime Minister Olof Palme in 1986.

Willy Loman, an aging, failing salesman, struggles to accept reality and his failure to achieve the American Dream.

Willy Loman is an over-the-hill salesman who faces a personal turning point when he loses his job and attempts to make peace with his family: Willy's long-suffering wife Linda, and Biff and Happy, his troubled sons and his life.

Police officer Hella Christensen is on her way to her new job in Kiel. But she doesn't get far because a dead girl was found at the pier in her hometown. Hella's new superior, Simon Kessler, has already arrived from Kiel and is awaiting her on the bridge. Hella recognizes the dead person immediately: it is 14-year-old Jenni, daughter of her neighboring family. Kessler orders the recently defunct local office to be used to investigate the murder.

A fictional investigative documentary looks back on the "assassination" of George W. Bush and attempts to answer the question of who committed the murder. Perhaps less morbid and disturbing to watch now than during Bush's presidency, the film doesn't address Bush's policies at all, instead focusing on the way a nation assigns blame in a time of crisis.

A smooth-talking telemarketer finds himself at the mercy of the man he tried to swindle.

The true story of Pauline Williams, who struggled to bring the people who supplied her son with the illegal drugs that caused his death to justice.